"vers l'incalculable d'une autre pensée de la vie"

Month: April 2017

SAES Workshop: (Re) Constructing Lives (1-3 June)

 

Workshop of the Biography Society

at the

Annual Conference of the SAES
Université de Reims Champagne-Ardenne
1-3 June 2017 in Reims

 

Conveners:

Pr Joanny Moulin, Aix Marseille Université
Dr Jean-Charles Perquin, Université Lumière Lyon 2

Workshop description
(see below for programme)

Do biographies necessarily impose on lives an artificial pattern? Is not a life already a construction, quite apart from any attempt to write about it? If, on the one hand, biography may serve the ideological purpose of ceaselessly constructing and reconstructing idealized lives of iconic historical figures, on the other hand, it may just as well work the other way around. If biography can serve the purposes of myth-making, modern biography is more often than not an investigation, de-constructing the lives of historical personages to re-construct them on a more true-to-life basis. For instance, in a distant past, James Anthony Froude’s Life of Carlyle scandalized his contemporaries by knocking the great man off his pedestal, paving the way for Lytton Strachey’s Eminent Victorians, and much more recently the biographies of C. G. Jung by Richard Noll and Ronald Hayman, reconstructing the life of the Swiss psychologist in a very iconoclastic light, or again Pierre Péan’s François Mitterand, Un jeunesse française, unearthing once more the socialist leader’s commitment with the Vichy government.

This workshop will particularly welcome contributions looking at the positioning of biographies relatively to this ideological notion of “construction”. Other papers may concentrate rather on the biographers’ narrative discourse as a process of re-constructing those parts or sides of their subjects’ lives that have been erased out of historical document, whether intentionally or accidentally—a limit case in this respect is Ivan Jablonka’s Laetitia, and the use of ‘fictions de méthode’ to investigate the gaps. Another direction worth exploring would be the way in which, biographical information about an author/an artist may drastically inflect the reception of his/her work.

Programme 

Thursday 1st June 2017

4.00-6.30 : Ateliers I

Chair: Joanny Moulin (Aix-Marseille Université)

4.00-4.20 – Antoine Capet (Université de Rouen) – Churchill personnage de « biopic » : « reconstruction » d’une vie légendaire

4.20-4.40Catherine Heyrendt (Université Reims-Champagne-Ardennes) – Champagne, myth, and turtle soup : reconstructing Winston Churchill’s life in food and drink

4.40-5.00 Olivier Frayssé (Université Paris IV- Sorbonne) – La dimension biographique du révisionnisme dans l’historiographie américaine

5.00-5.20 – Patrick Di Mascio (Aix-Marseille Université) – Biographie et démocratie: remarques à partir de Tocqueville.

 

Friday 2nd June 2017

Chair: Hans Renders (University of Groningen)

9.00-11.00 : Ateliers II

9:00-9:20 – Jean Raimond (Université de Reims Champagne-Ardennes) – « Robert Southey’s Life of Nelson : the making of a legendary heroic figure »

9:20-9:40 – Jean-Charles Perquin (Université Lumière Lyon 2 ) -Henry James’s “The Private Life” and Robert Browning

9:40-10:00 – Page Richards (University of Hong Kong) – Lyric Construction and ‘Born Retrospection’: ‘Late Arrivals’ and Re-Conception in Biographical Lyric.”

10:00 – 10:20 – Isabelle Pariente-Butterlin (Aix-Marseille Université) – The Concept of Moral Life

 

Saturday 3rd June 2017

Chair: Page Richards (University of Hong Kong)

09:00-10:30 : Ateliers III                                   

9:00-9:20 – Natalie Dykstra (Hope College, Holland, Michigan) -Nicked with Incident:  Eloquent Objects and Biographical Storytelling

9:20-9:40 – Alice Braun (Université Paris Ouest Nanterre) – “Setting my story against hers”: (re)constructing motherhood in Jeanette Winterson’s autobiography

9:40-10:00 – Aquarini Priyatna (Universitas Padjadjaran, Bandung, Indonesia) – [Re]Constructing the Self, Rebuilding A Life Post Nude Images in Playboy: The Biography of Indonesian [ex] Nude Model Tiara Lestari

 

11.00-12.30:  Ateliers IV

Chair: Catherine Heyrendt (Université Reims-Champagne-Ardennes)

11.00-11.20 – Marleen Rensen (University of Amsterdam) -Constructing Transnational Lives

11.20-11.40 – Marco Mongelli (University of Bologna & Paris IV Sorbonne) – L’usage de la fiction dans les biographies de Jean Echenoz

11.40-12.00 – Valeria Mosca (University of Genoa) –  A Life in Writing and a Life of Writing: J.C. Kannemeyer and David Attwell’s Biographies of J.M. Coetzee

12.00-12.20 – Alexandre Tremblay (Aix-Marseille Université) -Lytton Strachey: Constructing a Metafictive Essence

Séminaire “Biographie”: Table ronde autour des textes de Hayden White et Ivan Jablonka 12/04

Séance du séminaire “biographie”

12 avril 2017 de 14h à 16h

Maison de la Recherche:  14h – 16h salle 2.44

Table ronde autour des textes de:

Hayden White

 

Metahistory – The Historical Imagination in Nineteenth-Century Europe (1973, Johns Hopkins University Press, 2015)

&

Ivan Jablonka

 L’Histoire est une littérature contemporaine : Manifeste pour les sciences sociales (Le Seuil, 2014).

 Présentation des textes

WHITE, Metahistory  – Présentation de l’éditeur: Since its initial publication in 1973, Hayden White’s Metahistory has remained an essential book for understanding the nature of historical writing. In this classic work, White argues that a deep structural content lies beyond the surface level of historical texts. This latent poetic and linguistic content—which White dubs the “metahistorical element”—essentially serves as a paradigm for what an “appropriate” historical explanation should be.

To support his thesis, White analyzes the complex writing styles of historians like Michelet, Ranke, Tocqueville, and Burckhardt, and philosophers of history such as Marx, Hegel, Nietzsche, and Croce. The first work in the history of historiography to concentrate on historical writing as writingMetahistory sets out to deprive history of its status as a bedrock of factual truth, to redeem narrative as the substance of historicality, and to identify the extent to which any distinction between history and ideology on the basis of the presumed scientificity of the former is spurious (Johns Hopkins University Press).

 

JABLONKA, L’Histoire est une littérature contemporaine – Présentation de l’auteur: “L’histoire n’est pas fiction, la sociologie n’est pas roman, l’anthropologie n’est pas exotisme, et toutes trois obéissent à des exigences de méthode. À l’intérieur de ce cadre, rien n’empêche le chercheur d’écrire.

Concilier sciences sociales et création littéraire, c’est tenter d’écrire de manière plus libre, plus originale, plus juste, plus réflexive, non pour relâcher la scientificité de la recherche, mais au contraire pour la renforcer. L’histoire est d’autant plus scientifique qu’elle est littéraire.

Réciproquement, la littérature est compatible avec la démarche des sciences sociales. Les écrits du réel – enquête, reportage, journal, récit de vie, témoignage – concourent à l’intelligibilité du monde. Ils forment une littérature qui, au moyen d’un raisonnement, vise à comprendre le passé ou le présent.

Des sciences sociales qui émeuvent et captivent ? Une littérature qui produit de la connaissance ? Il y a là des perspectives nouvelles pour le siècle qui s’ouvre”. (seuil.com)  – Éditeur et écrivain, Ivan Jablonka est professeur d’histoire à l’université Paris 13.

 

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