Tag Archives: biopics

“Based upon a Life”: The Biopic Genre in Question

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vol. XIV-n°2 | 2016

“Based upon a Life”: The Biopic Genre in Question

« Inspiré d’une vie » : le genre biopic en question

Edited by Delphine Letort and Taïna Tuhkunen.

 

While George F. Custen defines a biopic (biographical film) as a depiction of “the life of a historical person, past or present” (Bio/Pics, How Hollywood Constructed Public History, 1992, 5), he also considers the impact of celebrities and stars as “key historical figures” whose public persona may interfere with the genre’s historical discourse. More recently, Ellen Cheshire has asked if this “maligned and misunderstood genre” is, in reality, a genre of its own (Bio-Pics: A Life in Pictures, 2015, 3). Biopics have indeed sparked off a number of on-going debates, not merely due to their claims of veracity, but through their practice of gender politics, intertextuality, reflexivity, and their hagiographic roots capable of impacting the narrative modes, visual and discursive strategies perpetuated by contemporary “life stories” on screen. This issue of Revue LISA/LISA e-journal explores the various mechanisms, conventions and patterns underlying the construction of “exceptional destinies” on screen (cinema/television).

Contents:
  • Delphine Letort and Taïna Tuhkunen
    « Inspiré d’une vie » : le genre biopic en question
    “Based upon a Life”: The Biopic Genre in Question
  • Joanny Moulin
    Biophoty: The Biofilm in Biography Theory
    La biophotie : le biofilm dans la théorie de la biographie
  • Rémi Fontanel
    Le biopic du sportif américain
    American Sports Biopics
  • Delphine Letort
    Flirting with Controversy: Making Biopics about Truman Capote
    Flirter avec la controverse : les biopics sur Truman Capote
  • Jules Sandeau
    Katharine Hepburn en reine de cœur : Mary of Scotland (John Ford, 1936)
    Katharine Hepburn as Queen of Hearts: Mary of Scotland (John Ford, 1936)
  • Claire Demoulin
    Les biopics d’hommes politiques : des « films de discours » ? Croisements esthétiques, rhétoriques et politiques autour du film Le Discours d’un roi
    Political Biopics as Films of Speeches: aesthetic, rhetorical and political discussions around The King’s Speech
  • Hélène Charlery
    HBO’s Black Women Artist Biopics: The Josephine Baker Story and Introducing Dorothy Dandridge
    Les biopics de HBO sur les artistes noires américaines : The Josephine Baker Story et Introducing Dorothy Dandridge
  • Nicole Cloarec
    The Secret Life of Secret Agents: Alan Bennett and John Schlesinger’s An Englishman Abroad (1983) and A Question of Attribution (1991)
    La vie secrète des agents doubles : An Englishman Abroad (1983) et A Question of Attribution (1991) d’Alan Bennett et John Schlesinger
    Varia:
    • Olivier Richomme
      La fin de la diversité ? Démantèlement jurisprudentiel du Voting Rights Act aux États-Unis
      The End of Diversity? Jurisprudential Deconstruction of the 1965 Voting Rights Act in the US
Revue LISA / LISA e-journal is a bilingual peer-reviewed international on-line publication. LISA welcomes researchers from France and abroad ‎who are interested in pluri-, trans- or inter- disciplinary studies in fields including cultural ‎studies, literature, philosophy or the history of ideas, the visual arts, music, media studies, ‎sociology, history and anthropology within the English-speaking world although comparative ‎studies with other geographical areas will also be considered.